Twilight Snow, Scotland..

..find an exact complementary colour.
You night like to try this first with bright primary colours. For example find something red. A book cover, or napkin, or an apple, and a piece of plain white paper. Now gaze for a slow count of twenty, without blinking, at the red object. Then transfer your gaze to the white paper. You will see what is called an after-image which will be green, the complementary colour of red.

If you stare at blue the after-image will be orange, at yellow the after-image will be purple.

It works even with the most subtle colours. If you are trying to mix the compementary colour in paint, you have to memorize what you see on the white paper- takes  practice - but you can always gaze at the original again to get a match.

You can probably look up charts, but this is more exciting! Let me know if it works for you..

Today's work is to find the exact coplementary colour of the lilac. I use complementary colours a lot for vibrancy and a very 'active' surface to the canvas. Much inspired by Bonnard who wasa a master of this. I've used an iridescent oil paint for the first time. I was worried it might be a bit gimicky or tacky, but it's very subtle and interesting....

I had to roll up the rug in the sitting room for Japanese Snow. The studio isn't big enough.

The big black pots are bursting with bloom. Lime green and lilac petunias and  shooting out of the tops nicotiana sylvestris with their gorgeous evening scent. I had forgotten how huge the leaves of this nicotiana are and had to keep cutting them off as they were smothering everything else.
How is your garden growing this summer?

...work out the right shade of grey for a night-time snow cloud, the garden, being left to its own devices now, changes from green to gold. We have had no rain for weeks.

Gwendoline in yesterday's comments has an interesting way of regulating the amount of pressure she is under, so that she does not feel rushed. A good strategy for an important issue in creative work. It's important to get that balance right, isn't it.

It's taken a while to get back into painting again.

I had forgotten  how much my Barry helped when I had an exhibition coming up. He just quietly stepped in and took over  the house and garden things to give me time to paint. Meals appeared and cups of coffee. Bills were paid, the grass was cut... we would walk round the garden together  first thing; he looked over my work with me at the end of the day.. I miss him so badly.

I had also forgotten to make allowance for my altered eyesight - it makes me slow for one thing!  Can I do it all in time?

Well, I work best when I have a deadline!

Because I am working in oils I need to allow drying time, so my deadline for the actual paintings is mid September. I need a minimum of 15 pieces and have 6 finished, 2 nearly finished and two more firm ideas. Ordering more canvases today.

I thought I would post about my progress this month and hope you might find that interesting. If you too are an artist it would be great if you shared your working methods and how you motivate yourself in the comments.

Good luck with whatever creative work you undertake. It's a mad way to make a living, but it is also  wonderful to be able to do something you love .

I love a blank canvas. It is full of possibilities, and I remind myself of the freedom I have to create anything I want on it..

The first few strokes can be really exhilerating!

The start of Yellow Gate In The Snow.

Outside the studio - a heatwave!

Another painting for the exhibition.  See here.

Have just taken delivery of three large canvases, which will become Japanese Snow (diptych and my largest painting yet),  Yellow Gate In The Snow, and on another 1m x 1m canvas Snow On Snow.

When an idea comes for a painting, it comes with a size! It's as if it is a given, and not negotiable. These canvases are quite heavy and my studio quite small (so am I) so you will understand when I sometimes wish I painted miniatures!

The poster for the exhibition is being designed. Gulp.

Better get back to work...

Almost finished..

Work in progress. The start of 'Story Book Snow'.  It's wonderful to be back at work in the studio.

Some of you will know my other blog which I wrote more or less weekly, between 2010 and 2013- fredawaldapfel.squarespace.com/

In it I write about being an artist, and there is also a piece called Why Invest In Art.
I hope you will find it interesting!

I am currently reclaiming the studio by removing the plant propagator, the recycling, and everything else that has accumulated in there that has nothing to do with work!

Focussing.

To be an artist,  said Raoul Dufy, you should first get the mundane things of your life in order. I thought, somewhat cynically, when I read this that he meant get a wife (which he did).

However I have been very busy getting my house in order during this strange year. Repairs to the chimney, the porch, the soffits, downstairs inside the house painted and all of the outside of the house painted, replaced old cast iron downpipes, guttering cleaned and drains cleared, steps and paths power hosed, hedges cut, paths cut, fences painted - and the red gate and the yellow gate....and now the shed is being rmended.

SO....

Let It Snow

Burgh Hall  Dunoon

  22 Oct 2021 to 14 Nov 2021
Private view 21 Oct 2021

I've been writing about feeling a bit nervous about my plans for 2020.

Among other things I plan to finish editing my novel, live for a month in Venice, and start work on a big solo exhibition. 15 - 20  large paintings. Date is being decided....

No pressure then, as they say!

Gulp.

Out of sheer desperation to avoid television I have begun painting again!

I'm only half joking. I have watched more television since Barry died than I watched in the previous 25 years!  We didn't have a television and didn't miss it. (I still don't have one but I do have my laptop and iPlayer.) Of course there are some very good things on television and I don't criticize anyone for watching it, but I always had this uneasy feeling that it was like living at second hand and, for me, just not worth the time it took up out of my life.

A few days ago I spent some time with a friend who is a writer who is not writing and I am a painter who is not painting so we decided to encourage each other by discussing why we are not doing it....and why we had tried and failed to take it up again. It was an interesting and deep conversation. One question we asked was If we were working what would it - our practice - look like? And could we set it up anyway.

I decided it would be part of my every day and that I would work as I had at the beginning of my life as a painter twenty two years ago - at the table, even if that meant clearing it off for every meal.

I feel more like myself already.

I have a lovely memory of Barry leaning against the door of the studio watching me work on a series of collages after a trip to Harris, and when I glanced up enquiringly (because he usually left me alone when I was working) he said with a warm smile 'You really love this don't you?' He supported me in everything I wanted to do. I know that if he exists  in any shape or form he would be smiling at me and supporting me still, and that comforts me and makes me feel peaceful. Peaceful enough to paint again.


Are you a singer who doesn't sing?

A dancer who doesn't dance?

A poet, a baker, a potter, a knitter, a woodworker, a creative of any kind who is not creating?

If you believe your creative self is your true self, and you are not being true to yourself can you ask yourself why? And take a tiny step to set up the situation in which you can be that creative person? Perhaps you need a new mindset or you need some materials - I bought a small set of Designer Gouache paints because I have been thinking for years about playing with the contrast between translucent and opaque watercolours....

Here goes!

Such good advice,,

Compare Yourself To Who Youe Were Yesterday And Not To Who Someone Else Is Today.

 (Jordan Peterson's 12 Rules For Life.) I hereby promise to stop comparing myself to Matisse and just get on and paint!

 I hope to have more time to review the next interesting rule - Do Not Let Your Children Do Anything That Makes You Dislike Them.

in the studio

putting on my painting jacket

and starting on a new large canvas.

It's going very slowly.
But it's going..

..to sketch and paint, having just spent a few inspiring days with my artist friend Caroline Bailey who generously invited me to share her wonderful studio space. See Caroline's stunning work here.

The journey to Skye where she is now based meant a bus route along the shores of Loch Lomond, through moody Glencoe and over the bridge to windy Skye and its stunning west coast.

Apart from her obvious talent (she is a wonderful colourist) I am so impressed by Caroline's commitment and sheer hard work, and - that word again - passion.

She has just had a very successful show at the Walker Art Gallery in Harrogate.


No more excuses Freda.

Just do it.

I got a little boost too from an email while I was in Venice to say that I had sold four small paintings in a local gallery.......and I'm staying home now, 'til at least next Tuesday!

Like a list of old friends..

..if you want to visit Cowal Open Studios from 22nd - 25th September. The members exhibition at the Creggans Inn will help you decide which artist's studios you want to visit. From 4th - 25th 9am - 10pm (good food too).

Hard to photograph well today with many of the artists there - and too busy catching up with friends to concentrate on the photography!

www.cowalopenstudios.co.uk
www.creggans-inn.co.uk

Two paintings on their way to an exhibition..

The Blue Hums To The Yellow

The Cowal Open Studios Guest Exhibition will be at the Dunoon Burgh Hall from 9th - 30th September.

www.cowalopenstudios.co.uk/
https://www.dunoonburghhall.org.uk/


Being a full time artist was a dream which came true! (See yesterday's post.)

I am sad to hear of the death of the artist Howard Hodgkin 

I have always found his paintings and prints utterly compelling though it would be very hard for me to say why. They seem to bypass my left brain and defy description in words.

Words seem superfluous.

Which is as it should be really.

In fact the visceral images seem to bypass brain altogether and go straight from eye to heart, or gut.

..when did I last feel, if not exuberant, then enthusiastic? (See 4 Feb.)

The answer is quite recently when I went to see the excellent Joan Eardley exhibition in Edinburgh. She lived to paint - there were few distractions from painting in her life.

I have been having difficulty painting myself, and think that perhaps I might sustain myself on other artists' creativity for a time, until my own impulse to create returns. My paintings, I have realised, come from the joyous part of me and from a surplus of energy I used to have in abundance. This quotation from Picasso has always made sense to me - that idea of a surplus of energy overflowing onto the canvas..

I go for a walk in the forest of Fontainebleau. I get 'green' indigestion.I must get rid of this sensation into a picture. Green rules it. A painter paints to unload himself of feelings and visions.

Both my joy and my energy have been subdued by grief this past year, and I think I must seek out and treasure all the things that create a little spark until, hopefully, the spark becomes a flame.

I have accepted that it can't be forced.

A visit to Glasgow with a friend created several little sparks of enthusiasm...

..paint miniatures!

 
I was up early this morning as Robbie from Tighnabruaich Gallery was picking up four large paintings to take to Edinburgh this weekend. He and his partner must have been up at six.  I never grudge my galleries their commission - they work hard for me.

See more about the exhibition here and should you be in Edinburgh and visiting the gallery, do ask to see my paintings if they are not on the wall - Robbie will take lots of works and rotate them over the weekend.

I shall post them on my studio page tomorrow...(it's been a long day!)