list of titles, sizes amd prices to gallery - tick
wall text and cv to gallery - tiick
photgraph 15 paintings - tick
final check each painting - tick
invitations - tick
arrange transport (two vehicles) - tick
wrap ready to transport - tick
confirm arrangements private view - tick

Getting there!

This is And On The Ships At Sea

Definitely not. Though the pressure is on. The exhibition opens next week.

I have been without phone and camera for 8 days. We are so used to next day delivery here in uk that I couod not believe how long it took to get sorted. What timing!

I have still to photograph all the paintings...

This is Yellow Gate In The Snow 11. I plan to post them all on my studio page, but if you are near enough I hope you will come to the exhibition!

It is Cowal Open Studios weekend and I visited Jackie Stevenson in her new studio in the village and bought some of her gorgeous cards.

There are five artists showing in my village alone, and 52 over Cowal - a lovely buzz from the many friendly talented people who are taking part. (I was a founder member but am not participating this year....maybe next year - it's a really nice thing to be part of.)

If you are near enough I urge you to make the trip, if not have a lovely online browse..

MaryB mentioned that she was feeling haunted by the images  of 'woebegone' children in Joan Eardley's work, and I thought you would like to know that many of the children she drew went on to thrive. Thanks to post war Britain's welfare state - free education for all, free healthcare for all (the eye sqint was successfully operated on for example), free school meals, cod liver oil and orange juice, and slum clearance, the abject poverty of many families, including the Sampson family of 12 children, was alleviated. Not to mention  effective contraception.

Two of the Sampson girls, Pat and Ann, now work with charities in Glasgow which help the (thankfully smaller) homeless population.

Both heartbreaking and heartening, and all within living memory.

More honest and moving images here.

It took five buses, one train and two ferries to get to Edinburgh and back yesterday on an impulse trip to catch the Joan Eardley exhibition on its penultiimate day.

It was wonderful to be in Edinburgh again, and in an art gallery again! And so worth it to see this exhibition. 42 works of breathtaking honesty, compassion and sheer bravery.  It takes courage to do your own thing and put it out in the world to be judged.

Reproductions are of course pretty amazing,  but nothing is so moving as standing in ftont of the real thing! How I have missed it. Have you?

My favourite little cafe/delicatessen G&T a few doors up from The Scottish Gallery has changed hands after many decades, but they do a nice cappuccino.

Life is looking up.

After a visit to the gallery yesterday to try to assess if I have enough paintings for my forthcoming exhibition -I have! - I allowed myself half an hour in the hammock. Lovely.

I hope you are getting some sunshine too. It's good for the soul.

..to hear this morning of the death of artist Elizabeth Balckadder. Prolific, popular and yet remained an artists' artist, and was hugely influential. Sophisticated and completely without pretension. She freed botanical painting from it's straightjacket. Life in every brushstroke,  she will live on through her wonderful work.


You are sure to recognize some of the images here.

Feeling lighter now that I have 14 paintings completed! What could make you live ligher?

More from the white area of Jennie's garden..

I started work today on  two new paintings: Thundersnow, Edinburgh and Blizzard.

A day off and two lovely visitors yesterday did me so much good! Do you need some 'time off'? Can you arrange it for yourself?

Under a boundary hedge, quietly rotting, is a blue gate. A whole new story! But not now I tell myself. Paint!

I am so interested in your comments and questions and wish I had more time to answer them more fully. I'd like to write  about the magic of being 'in the flow' which occurs once the decisions have been made mosrtly, the way my 'paint first' motto  means that some of the decisions are made while doing the dishes or ironing, and the part that music plays in getting me in work mode...however I have put myself in the position of  having to do the work, not write about it. A bit of a push over the next two weeks I think.

No gardening but time to go out and look at the wonderful agapanthus with a coffee in my hand.

Please keep your comments and questions coming - they encouage me so much and I will always answer them - maybe briefly at the time and in blog posts later when the pressure is off a bit!

I LOVE  titles! One of my favourites is Where There's A Ffish There's A Lemon - the title of a small painting I own by Christine McArthur. The title makes me smile.

I will post a photograph of it soon (my computer is not letting me uploadd photographs today..)


With my painting Ice and Lemon  the thought process went something like this..I used irridescent paint for the sky and found myself adding more and more colours. The icy blue needed some lemon to make it sparkle a bit, and the painting was becoming more and more effervescent - almost party like. I thought of a G&T and being asked would you like Ice and lemon with that - Yes please! A fun title.

Oten the titles are very straightforward. Yellow Gate In The Snow, Snow At Chrissie's House. I am very aware that , especially in semi-abstract works, the title is often the viewrs way into the work.

The painting definitely does take on a life of it's own and evolves as a kind of negotiation.  In fact I have just had an argument with one! Highly unusual . I wanted  an area in Yellow Gate In The Snow to be a clearing in the forest, but the space kept insisting that it was a house.  I gave in in the end. It is now a house, and I love it.

 
How can I describe the creative process.  Demanding, exhausting sometimes. Exhilerating and really exciting. Every brushstroke is a decision (which is probably why it is tiring) and, like all decisions, you are often asking yourself Is it the right one? So between the actual putting of paint on canvas there is a lot of looking and meditating and judging going on. And at the back of your mind, as even the wonderfully talented pianist Vikingur Olafsson says is a nervousness about whether the world will like it! I have to make sure that thought is kept very much in the background or it would paralyse me...

I am finding both music and the talk about music and creativity inspiring. You can hear this pianist on BBC Sounds in In Tune of 12th August, and in a video on YouTube -Vikingur Olafsson  Debussy Rameau   EPK/Trailer. I would love to know what you think..

The days are flying by and I am feeling quite tired, not having worked this hard for years!

This is the start of Ice And Lemon.

Twilight Snow, Scotland..

..find an exact complementary colour.
You night like to try this first with bright primary colours. For example find something red. A book cover, or napkin, or an apple, and a piece of plain white paper. Now gaze for a slow count of twenty, without blinking, at the red object. Then transfer your gaze to the white paper. You will see what is called an after-image which will be green, the complementary colour of red.

If you stare at blue the after-image will be orange, at yellow the after-image will be purple.

It works even with the most subtle colours. If you are trying to mix the compementary colour in paint, you have to memorize what you see on the white paper- takes  practice - but you can always gaze at the original again to get a match.

You can probably look up charts, but this is more exciting! Let me know if it works for you..

Today's work is to find the exact coplementary colour of the lilac. I use complementary colours a lot for vibrancy and a very 'active' surface to the canvas. Much inspired by Bonnard who wasa a master of this. I've used an iridescent oil paint for the first time. I was worried it might be a bit gimicky or tacky, but it's very subtle and interesting....

I had to roll up the rug in the sitting room for Japanese Snow. The studio isn't big enough.

The big black pots are bursting with bloom. Lime green and lilac petunias and  shooting out of the tops nicotiana sylvestris with their gorgeous evening scent. I had forgotten how huge the leaves of this nicotiana are and had to keep cutting them off as they were smothering everything else.
How is your garden growing this summer?

...work out the right shade of grey for a night-time snow cloud, the garden, being left to its own devices now, changes from green to gold. We have had no rain for weeks.

Gwendoline in yesterday's comments has an interesting way of regulating the amount of pressure she is under, so that she does not feel rushed. A good strategy for an important issue in creative work. It's important to get that balance right, isn't it.

It's taken a while to get back into painting again.

I had forgotten  how much my Barry helped when I had an exhibition coming up. He just quietly stepped in and took over  the house and garden things to give me time to paint. Meals appeared and cups of coffee. Bills were paid, the grass was cut... we would walk round the garden together  first thing; he looked over my work with me at the end of the day.. I miss him so badly.

I had also forgotten to make allowance for my altered eyesight - it makes me slow for one thing!  Can I do it all in time?

Well, I work best when I have a deadline!

Because I am working in oils I need to allow drying time, so my deadline for the actual paintings is mid September. I need a minimum of 15 pieces and have 6 finished, 2 nearly finished and two more firm ideas. Ordering more canvases today.

I thought I would post about my progress this month and hope you might find that interesting. If you too are an artist it would be great if you shared your working methods and how you motivate yourself in the comments.

Good luck with whatever creative work you undertake. It's a mad way to make a living, but it is also  wonderful to be able to do something you love .

I love a blank canvas. It is full of possibilities, and I remind myself of the freedom I have to create anything I want on it..

The first few strokes can be really exhilerating!

The start of Yellow Gate In The Snow.

Outside the studio - a heatwave!

Another painting for the exhibition.  See here.

Have just taken delivery of three large canvases, which will become Japanese Snow (diptych and my largest painting yet),  Yellow Gate In The Snow, and on another 1m x 1m canvas Snow On Snow.

When an idea comes for a painting, it comes with a size! It's as if it is a given, and not negotiable. These canvases are quite heavy and my studio quite small (so am I) so you will understand when I sometimes wish I painted miniatures!

The poster for the exhibition is being designed. Gulp.

Better get back to work...

Almost finished..

Work in progress. The start of 'Story Book Snow'.  It's wonderful to be back at work in the studio.